
Painted whores. Sexual gladiators. Fiercely old party children. Take your choice, because any of those three would fit the Scissor Sisters like a glove on their third longplayer. Night Work boasts a series of shimmy-inducing disco thrills, making you feel sticky and sensual as you visualize yourself grinding against a stranger in some underground nightclub.
Opening with the title track, Jake Shears warbles about punching clocks and (not) working all day, setting the consistent rave mood for the album. A little caution for those who ARE actually on a nine-to-five (obviously not the Scissters) and attempt to play this out whilst doing a presentation for a top secret project... Night Work will make you dance on top of your office desk and scrap the project (and your job) altogether. Whole New Way is a sleazy little number with coded lyrics like "I got your tail between my legs" sung over splotchy synthesizers and an elastic bass line. Lead single Fire With Fire is easily the odd one out of the slick party rompers offered in Night Work, nonetheless it's equally brilliant. Any Which Way is another album highlight, a slinky disco tune that isn't subtle on the sexual context at all, especially when Ana Matronic purrs out her oh-so-sexy monologue:
Opening with the title track, Jake Shears warbles about punching clocks and (not) working all day, setting the consistent rave mood for the album. A little caution for those who ARE actually on a nine-to-five (obviously not the Scissters) and attempt to play this out whilst doing a presentation for a top secret project... Night Work will make you dance on top of your office desk and scrap the project (and your job) altogether. Whole New Way is a sleazy little number with coded lyrics like "I got your tail between my legs" sung over splotchy synthesizers and an elastic bass line. Lead single Fire With Fire is easily the odd one out of the slick party rompers offered in Night Work, nonetheless it's equally brilliant. Any Which Way is another album highlight, a slinky disco tune that isn't subtle on the sexual context at all, especially when Ana Matronic purrs out her oh-so-sexy monologue:





















































